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A blogzine about modular synthesizers, music experiments and life without presets


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“This life-like quality makes our approach very different from what’s called the classical electronic music studio, which uses oscillators, filters, equalizers, and other laboratory instruments, […] Luening and Ussachevsky were getting started with that at the same time we were. I felt that that was the wrong direction, because laboratory instruments are made to be very precise and very definite, and people aren’t. Art isn’t.”

— Louis Barron (on Keyboard Magazine February 1986: 54-65)